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What Are Your Expectations of An Author?

As a reader, what are your expectations of an author? As a writer, do you feel the obligation to respond to questions about different issues?

Writing in English seems natural to me as breathing, but the fact is, despite being my ‘first language’, English is not my mother tongue.

I’ve not spoken often about the experience of writing in English because I find it difficult to articulate the plight of a person who is unable to write in her mother tongue, who is somewhat trained in the Western canon of storytelling, and who must make herself accessible to the West in order to continue in genre writing. In the West, I’m forever translating my experience into English, making every effort to be understood to a culture that makes very little effort to understand mine.

Meanwhile, in India, my own country, the audience for fiction written in English by Indians continues to shrink, choking itself instead with a glut of self-help books, and books that will ‘add value’ in the form of ‘information.’ In India, I’ve had readers tell me how shocked they were at the quality of my crime novels–that they didn’t expect it from an Indian non-literary book.

When I speak of my writing, the questions I face are often about the patriarchy and politics in India. Not about my writing. I’m expected to give sound-bytes on what it means, as an Indian, to be published in the West.

I’m exhausted by all of this, and would like instead to share this insightful interview in The Paris Review of an author I’ve come to deeply admire, Anuradha Roy:

People read what they want to read, however, and nowadays readers do seem to respond to the most glaringly political aspects of my work, though the obligation to do so is in their head, not mine. I notice this particularly when I meet Western journalists—very few of them ask me about the craft of fiction. Their questions are almost invariably about caste, religion, women, and contemporary Indian politics. This may be because they haven’t read the books, or haven’t read them as I myself intended them to be read, but it certainly has something to do with the obligation they want to heap on every writer from a non-Western country—to be a kind of artistically articulate native informant.

Of course we know it isn’t possible to separate politics, or the political threads of everyday life, from fiction—the fact is that writing is inevitably political, and the whole shape and force of a narrative makes clear the politics within it. We also know that it is not only writing but how we ordinarily live that is a political act, and right now, in our country, living itself is a hard thing to pull off.

The entire interview is an absolutely worthwhile read, and though I write in the crime genre, some of the concerns reflected in this interview are relevant to me, as well.

It feels unsafe to speak about topics in India that touch religion, and I watch with horror and trepidation as those I considered friends continue to spew venom in the name of religion, and patriarchy. As Anuradha says above, it is impossible to avoid politics in writing realistic novels, and as I write the sequel to The Blue Bar which seems to involve religion in at least a peripheral way, I keep wondering what readers think the role of a writer should be.

I’d expect an author to write, and for me to read ( the fact that my interactions tend to sell books has been a source of conflict.)

The longer I live the author life, the less my desire to ask  serious questions at an author talk other than aspects of craft. I feel a book is the most important and effective communication. If the author could have said their say in a tweet or a presentation, why would they labor over a book?

As a bipoc creator I feel the weight of the questions and ‘author expectations’ when I’m invited on a podcast or an author talk. In the West, I’m confronted with the responsibility of educating the reader, interpreting my culture for their consumption. Within India, it is this fraught atmosphere where I feel unsafe and attacked when expressing my view on human rights and political beliefs in response to pointed questions.

I freely admit that it is a privilege to write a book, to be able to share it, and to have readers be interested enough to ask questions, but sometimes all of it affects the one aspect I feel loth to risk, my writing self, where my words meet the page.

As a reader, what are your expectations of an author? As a writer, do you feel the obligation to respond to questions about different issues and not just your story/ storytelling?

My lit crime novel, The Blue Bar will be out soon with Thomas & Mercer. It is already available for preorders. Add it to Goodreads or pre-order it to make my day.
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Damyanti Biswas

Damyanti Biswas is the author of You Beneath Your Skin and numerous short stories that have been published in magazines and anthologies in the US, the UK, and Asia. She has been shortlisted for Best Small Fictions and Bath Novel Awards and is co-editor of the Forge Literary Magazine. Her literary crime thriller series, the Blue Mumbai, is represented by Lucienne Diver from The Knight Agency. Both The Blue Bar and The Blue Monsoon were published in 2023.

I appreciate comments, and I always visit back. If you're having trouble commenting, let me know via the contact form, or tweet me up @damyantig !

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  • hilarymb says:

    Hi Damyanti – what a very good post for us to read … as you rightly say people only read what they want to read, and not try other genres, or sub-genres … or consider what other people might be about … ie I suspect we don’t think about a story from an author’s point of view, only from our own. I’d never thought about it – but now I’m blogging I do get frustrated that commenters don’t perhaps stop and think about the post from the author’s point of view. But I most certainly have only recently come round and try to relate my answer/comment relative to the person of that country and where they’re from.

    I have to admit I was somewhat surprised to learn today that American kids are taught world history, while ours are mostly taught about the Romans, Egyptians, Greek, European, our Kings and Queens, and of course Indian … without much about the rest of the world. I personally was useless at school (history very much so!) – but I’ve learnt so much through my blog … I love history now – but one needs to question and query and open ones eyes to other things (which I’m still doing) … I guess I should post about it at some stage.

    Cheers – a very interesting topic … all the best – Hilary

  • DutchIl says:

    Thanks for sharing!.. don’t have any expectations other than they let their fingers to the walking and their heart do the talking… 🙂

    Until we meet again..
    May your troubles be less
    Your blessings be more
    And nothing but happiness
    Come through your door
    (Irish Saying)

  • JT Twissel says:

    I try not to have any expectations. At this point in my life, I just want to enjoy writing.

    • DamyantiB says:

      I wish I could say the same. My life would have been so much easier 🙂 Those expectations creep in sometimes, Sigh.

  • Mick Canning says:

    As a writer myself, I feel that my writing should speak for me, without any further clarification from myself. I know my novel – set in India, and dealing with the role of women in society – is potentially inflammatory, although it has been well-received by Indian readers. However, I know that anyone who reads it and wants to then talk to me, will question me on the contents of the book rather than how I write. Probably the only question about the actual writing will be why I chose to write it in the present tense.

  • I love hearing your perspective!

  • Sa A says:

    Very interesting. Thank you for sharing.

  • I don’t know that I do have expectations of an author. I read for so many reasons – not least for education, for comfort, for escape. And sometimes get all of those things in the same work.
    I am grateful. Endlessly grateful.
    And wish that interviews/reviews did respect the author and their unique perspective more.

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